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Kant after Duchamp Thierry de Duve
Publisher: MIT Press

Way back in 1998 (and I know this because I just checked the publication date when I grabbed the book to confirm the spelling of his name) I read “Kant after Duchamp” by Thierry de Duve. Press, 2000; Art Power, by Boris Groys, MIT Press, 2008; Kant after Duchamp, by Theirry de Duve. The most common object can be said to be art in specific contexts. After a prize-winning introduction to a translation of Husserl's Origin of Geometry (1962), it was with La Voix et le phénomène, De la grammatologie, and L'Écriture et la différence (all 1967), and subsequently Marges de la philosophie, Press (1996) | "Kant after Duchamp", Thierry de Duve, October - MIT Press (1996)|"Neo-Avantgarde and Cultural Industry - Essays on European and American Art from 1955 to 1975", Benjamin H.D. I found Theirry de Duve's 'Kant after Duchamp' most controversial here. On the other hand, Thierry de Duve[3] argues that disputes about the definition of art are a necessary consequence of Marcel Duchamp's presentation of a readymade as a work of art. Participation, by Claire Bishop ed. The title of the blog derives from Thierry de Duve's book Kant After Duchamp and was also the title of the written portion of my MFA thesis. Transmitting Culture, by Régis Debray, Columbia U. Art is a complicated social product, an aesthetic document of humankind and its culture. (Theirry de Duve, Kant after Duchamp, The MIT press, 1996) But what sort of definition is that? Book Review: Kant After Duchamp by Thierry de Duve Reviewed by Mark Cheetham Exhibition Review: DISRUPTURE and CYBERHOME 2000. KANTAFTERDUCHAMPTHIERRY DE DUVEAN O C T O B E R BOOKT H E M I T PRESS CAMBRIDGE, MASSACHUSETTS LONDON, ENCLAND © 1996 Massachusetts Institute of Technology All rights reserved. This volume brings together eight essays around a central thesis, with implications for the history of avant-gardes. Asin 0262540940 Kant after Duchamp (October Books) - The MIT Press - ecs4.com 292d5093b06fe93ab140cee9c89f2790. Thierry de Duve é historiador de arte e filósofo, professor emérito da Universidade de Lille 3. The launching pad seems to be the first chapter of Thierry de Duve's Kant After Duchamp, which attempts to understand art through the eyes of a Martian anthropologist visiting Earth. Professor Thierry de Duve, author of Sewn in the Sweatshops of Marx, Revamping Kant, Pictorial Nominalism, Kant After Duchamp, and Clement Greenberg Between the Lines. By inventing the readymade, Marcel Duchamp brings a new idea into art, moreover, he radically transforms the meaning of art.